What was extraordinary was that I saw clearly, indisputably, finally, that the child, the grass, the trees, the sky above were all woven of the same material, were all part of the same fabric, which was the fabric of which the universe is made, and that this fabric lived. As pointed contrast, the cement sidewalk lay ugly and dead, a scar in the picture; except for it, the whole scene was transcendent with beauty, the colors had an intensity, a purity not present in "real" life, and the vision was imbued with a feeling of the perfect peace and oneness and benevolence of the universe.

I thought about the perfection of the morning, tried to name what it is about the morning that is different from the rest of the day. Is it the stillness? And, I thought, often on Sundays there is an all-day silence, or on rainy days or during off seasons; whatever this perfection might be, it's more than the absence of noises made by humans and their machines... In the purity of the morning, I understand how much more there is to the world than meets the eye...

I was learning to live in Nature, shaping my life, my everyday activities in a direct way according to the weather, the seasons, the rising and setting of the sun and moon. I was once again becoming aware of Nature's all-powerful presence. If anyone had asked me, I would still have been unable to say what might be learned from Peter asleep among his animals on the prairie as I had seen him that first summer, but I was learning it. I was learning it slowly, painfully, in solitude and silence and out of my own experience.