As I was listening I thought about being in conversation with God, and I was struck by how much Bach's Fugue in G-Minor mirrors my relationship with God. When I first began conversing with God, it was very simple. In reply, God did not repeat my melody but responded in a harmonic way, just as Bach has his instruments do. Over time, our conversation -- the Divine and mine -- has built in richness, complexity, depth and beauty, like the fugue builds. Ebb and flow occur in the dynamics of both music and my communication with God, but my soul is constantly stirred by the heartbreaking beauty of what I hear and what I know.

There is a pressing need for something to be made known, for the secrets of the heart to be made public, for the music of the soul to be played. For centuries lovers of God have held the secrets of Divine Love within their own hearts, shared only with a few. But this knowledge needs to be made public, the song of Love's oneness to be heard. If the music of Divine Love is not played in the marketplaces, life will lose its meaning, and the collective despair of the soul will be too terrible to imagine.

The music flows within me like pure spirit.
What a wonderful conversation
within the flow of universal energy!

Eloquence needs no words --
I know this from intimacy with the divine.

O Great One, I give thanks for this
and for all music --
A power line fed into my heart from
the universal grid.

A divine voice sings
through all creation.

I heard the first measures of music and was thinking how lovely it was to be in this small church in a distant land. Then a solo voice took over the room, filling everything with its power, and my next breath came with difficulty. I have never, anywhere, heard a human voice so Pure, a sound so penetrating: outside of me, then suddenly inside of me, tearing down resistances I didn't even know I had ... its love so piercing that everyone began to weep involuntarily. When I opened my eyes nothing prepared me for what I saw. The young voice was coming from eighty-three-year-old Jonas, who was singing the "Sanctus," by Beethoven, with a beauty that could not be explained. It was like the Soul of all life summoning each spirit who listened.

Music was bestowed on humankind for the sake of effecting harmonious revolutions of the soul within us whenever its rhythmic motions are disturbed. Thus when the soul has lost its harmony, melody, and rhythm, music assists in restoring it to order and concord.

I once heard the pianist, Arthur Rubinstein, being interviewed. At one point he was asked to share his experience of playing Chopin's Nocturnes. He said in effect, "I do not know what it is. But over and over again I have had the experience of sitting in a crowded concert hall playing the Nocturnes and I can feel everyone in the room waiting for the next note." In this moment of waiting, all present find their contemplative community in their oneness with one another in the boundless mystery that enraptures them.

You wouldn't think
It would be so easy
To forget
Who we really are
Or that death is always at our shoulder
Or that everything is alive
Or that God is everywhere singing.

There is a certain relevance to life
that is hard to hear in the business of the day.
The past and future come pounding on my brain.
It is in the time I spend alone with God
that I tune my soul to the music of the dance.
I can begin to hear the song
in the most wondrous places,
in the most unexpected circumstances.
I am called to the rhythm
and even if no one else has ears,
I enter in the song.

Within this body
The Eternal keeps singing
And Its spring goes on and on flowing.