Old illustrations show God tuning the great musical instrument of creation... We all vibrate sympathetically like different octaves of the same tone, our human hearts pulsing in the same rhythms as those of the material and spiritual worlds... We know we are well on the way toward soul when we feel interconnected to the world and the people around us and when we live as much from the heart as from the head.
The aim and final reason of all music should be nothing else but the glory of God and the refreshment of the Spirit.
All paths lead to the same goal: to convey to others what we are. And we must pass through solitude and difficulty, isolation and silence, in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song -- but in this dance or in this song there are fulfilled the most ancient rites of our conscience in the awareness of being human and of believing in a common destiny.
The discovery that God is as close to us as water in a sponge, or that God is in our body's veins and arteries as well as in the veins and arteries of our lives, is the fundamental music accompanying the entire dance of the spirit... Through every movement and every gestures, every turn and return, every leap forward and every silent rest, the music remains -- not only beneath and over and under and next to and within. In the trees and in the lakes, in the laughter and in the tears, in the animals and in the sun, in the soil, the fire, the air, the water. In the lure and the invitation ... the responding, the searching, the finding, the remembering. And in every one of us.
If prayer is the central core of life, then dance becomes prayer when we are expressing our relationship to God, to others, and to the world of matter and spirit, through movement originating from our deepest selves -- this same central point of worship. The movements of dance-prayer start from our deep center, flow outward like rivulets into the stream of life, and impart life everywhere. So dance can be a part of prayer, just as stillness can be a part of music. There is one root; all the rest, movement or stillness, silence or sound, is its expression. The closer the source, the purer the song.
Enter into the Silence, into the
Heart of Truth;
For herein lies the Great Mystery
where life is ever unfolding;
Herein the Divine Plan is made known,
the Plan all are invited to serve.
Listen for the music of the Holy Word
in the resounding Silence of
the universe.
May balance and harmony be your aim
as you are drawn into the
Heart of Love.
Though a world of increasing deafness shattered Beethoven's dreams of success in the outer world of society, it also caused him to turn within. And while human relationships came and went, Beethoven was discovering God, the eternal companion. This reorientation of his soul may well be the primary reason for the higher level of composition in his second period creations ... stemming from a fundamental need to express through music new and deeper worlds of soul-experience. Whereas before he composed for himself, in his second period, Beethoven was consciously striving to become the musical servant of God.
Life. It was in the water too. Each drop from the waterfall had its own intelligence and purpose. A melody of majestic beauty carried from the waterfall and filled the garden. The music came from the water itself, from its intelligence, and each drop produced its own tone and melody which mingled and interacted with every other strain and sound around it. The water was praising God for its life and joy ...