If each of the birds in the forest waited until the bird with the most beautiful song could sing, the forest would be silent.

The fitness of our hearts and thoughts to receive God's spirit is like that of violin strings. If they are properly tuned, in harmony with one another, then the touch of the bow produces beautiful music. If not, then there is only discord. Whenever our hearts are truly ready to receive God's spirit, they will produce heavenly airs and joyous harmonies -- both in this life and in the spiritual world.

A few girls were taken to a performance of Johannes Brahms' "Requiem." Teak was the youngest to go, and she sat next to Frau professor. Teak had never been to a concert before. The music was so awesome, so profound, so moving and stirring that Teak's eyes filled with unexpected tears, and she was grateful when the old woman put her arm around her shoulder as if she understood. The muscc to Teak was like an opening into what she thought heaven might be like. Brahms came like a thundering revelation.

When in our music You are glorified,
and adoration leaves no room for pride,
It is as though the whole creation cries Alleluia!
How often, making music, we have found
a new dimension in the world of sound,
As worship moves us to a more profound Alleluia!
Let every instrument, be tuned for praise!
Let all rejoice who have a voice to raise!
And may You give us faith to sing always Alleluia!

Silence is more musical than any song.

As I was listening I thought about being in conversation with God, and I was struck by how much this piece of music mirrors my relationship with God. When I first began conversing with God, it was very simple, like the opening of the Fugue. In reply, God did not repeat my melody but responded in a harmonic way, just as Bach's instruments do. Over time, our conversation — the Divine's and mine — has built in richness, complexity, depth and beauty, like the fugue builds. Ebb and flow occur in the dynamics of both the music and my conversation with God, but my soul is constantly stirred by the heatbreaking beauty of what I hear and what I know.

In a sense great music exists for the sake of its pauses; for instance, the pauses that occur in the middle of a Beethoven symphony. These pauses are of course quite unlike bits of ordinary silence, because the whole symphony has led up to them — they are held and defined, and the music goes on the other side of them. Such pauses are silence charged with meaning. Music transcends music by producing charged silence.

While I was writing about silence and explosíons and the moment, of creation, I made an ínteresting typing error. I wrote "big band"" instead of "big bang." I'd like to think that ít was not an error but the voice of creation typing for me. From now on that's my theory on the origin of everything. Creation began with a big band, and ever since there has been rhythm, style and beauty throughout the uníverse. Our job is to look and listen for the big song, and then to join in, following the beat established by the Conductor leading the big band.