Late that afternoon I listened to Thomas Tallis's SPEM IN ALIUM, a motet written in the 16th century for forty voice, forty separate parts... I was sitting in my chair looking at Ma's photograph as I listened. At once, as the music began, the photograph started to emit great waves of Light. The Light possessed my mind and body, and I heard the music not without me but within my heart.
Her voice: In my stillness all the voices of the world rise in ecstasy. In my silence all the voices of the world are reconciled.
Each voice in the sublime motet sang in perfectly lucid ecstatic harmony with every other voice, forming endlessly changing transforming masses of illumined ripe sound.
In the new creation souls will sing together like this.
I heard spiral after spiral of ascending glorious sound rise calmly, with a passion at once detached and supremely intense, from its bed of Silence, rise, commingle in bliss, and finally culminate in the vast prolonged cry of Light on Light at the end of the work, a cry that does not end but seems to reverberate throughout the cosmos forever.