If you creep out down to the river in the light of a
full moon, you'll see her there, Old Crane Woman.
She'll be standing on one leg, still as can be, and
you'll know her by her frayed grey and white dress
and her long, thin arms with the sharp, sticking-out
elbows. She'll be staring into the river, for Old
Crane Woman knows that inspiration comes always
at the side of the water, there on the edge, in that
troubling threshold place between one element and
another.